The applique on the center of the Flower Garden is finished. Or so I thought. It’s amazing what one can see in a picture. The right side is a little lower than the left. I think that I have to add some small leaves to even it out. That won’t take long. I just have to find the time to do it.
I had found a quilting pattern on another quilt in a magazine. I liked it very much and designed this wall hanging with the quilting pattern in mind. There is a lot of very close quilting. I had originally planned to hand quilt but after having David Taylor’s class, I might machine quilt. I can decide that when all the appliqueing is finished. Now that the main body is appliqued, I have to design the border.

When I design floral applique, I start with colored pictures of flowers and place them on paper. I use an end roll of newspaper that I bought at the Concord Monitor. I draw squares or rectangles that are the exact size of the finished project. The flowers can be moved around until I like what I see. This can be done several times, each time taking a picture so that I can compare them and decide which one I want to use. I don’t use the flower pictures for the applique patterns. I use them for their color. I have several of Nancy Pearson’s flower patterns and like to use them for the flowers. I cut out the flower patterns that I need and glue them to freezer paper in the spot where they will be appliqued. 
Using a light box, I copy the completed freezer paper pattern to heavy weight stabilizer. It is the permanent pattern with a lot of information. The color value, Light, medium dark, etc., is written on each part of the flower. Also the order that the pieces are sewn down and markings for pieces that do not have to be turned under as another piece is appliqued on top of it. This seems like of lot of work, but the stabilizer is used for placing the pieces in the right position on the fabric. The stabilizer is placed on a light box with the fabric on top. The pieces are pinned one at a time and sewn down to the fabric in the proper position. I don’t have to pencil the flowers on the fabric. That way, I can change the type or size of a flower if I want to. It allows for a little wiggle room.
The sweet pea is quilted. I saw a quilting show tonight that told how to make a facing instead of a binding. It looked interesting. I might try that.
Have a great day and happy quilting.
The other students made a small piece with an apple tree, a basket and a wine bottle. I had already made that piece last year, so I was able to make a sweet pea piece. I was given a beautiful piece of hand dyed fabric to use for the sweet pea. It took a while to position the freezer paper pattern on the fabric. I wanted the lights and shadows to be in the right spot. I took two pictures of the pieces with different colorations and decided which one looked better.
David has a CD that teaches how to quilt pictorial quilts. The CD is short, but it has a wealth of information. He quilts slowly on a Sweet Sixteen. All the instructions can be transferred to a domestic machine. When I started quilting I found it harder to forget my way of quilting than to quilt his way. David recommends using the stop and start button when quilting. I found that hard to do at first, but by the third petal, I was remembering to push the button to stop. After a little while, I really enjoyed quilting his way.
He quilts with variegated thread. I have some, but not the right colors so had to use plain thread. The thread is the same in the top and bobbin. The quilting starts in the middle and works out to the sides. Each petal has to be completed before going on to the next one so there are many thread and bobbin changes within each petal. It was worth winding all the bobbins before I started. Every thread is pulled to the back, knotted, and buried between the layers. This seems to take longer but when you are done, the back doesn’t need to be cleaned up. The tension can also be checked on a regular basis. 
I found a few small quilts that I made several years ago. The teddy bear and the cat are applique with embellishments. I’m not sure why I didn’t quilt the background. They were made while I was still hand quilting everything and I probably didn’t think that they were worth quilting. It wouldn’t take much time to machine quilt the background and finish them. I’ll do that some day when I have nothing else to do. I could use them for free motion quilting practice. 



The yoke has flat lace in the front. Gathered lace goes around the collar and down around the yoke.
There are two rows of ruffles at the bottom.
6″ block
16″ block








The tenth little quilt is made of strips of all the leftover fabric. It is the only one that is quilted on the machine. It is 11″ x 15″.
My Christmas cactus has been blooming non stop since Thanksgiving. I have three plants on the windowsill. The two outside ones have bloomed once in a while, but the center one has outdone itself this year. The trick is to enclose the plants at night with thermal drapes. They enjoy the cold from the window. You wouldn’t think that cactus would like the cold, but they bloom much more if they are not in heat all the time.
The top that was made from the fifty 6″ blocks from Kimberly Einmo’s book is pieced. I don’t know if I will send it to the long arm quilter or quilt it myself. I’ll hang it on a hanger and decide when the ones in front of it are done.
Another quilt top from Kimberly’s book is finished. It uses her 12″ blocks.
The third quilt top was made from leftover blue fabric from the Canadian 150 quilt. It originally was a nine patch, but with a little cutting and resewing, it became a very nice top.
This week, I added an iris, two poppies and have a mystery flower ready to applique. I think that it’s some kind of a hanging day lily. I pinned the pieces of the mystery flower to a paper so that I would remember which piece goes where and the order to sew them down. I may tone down some of the colors on that flower. It is dark. It’s easy to change my mind before the pieces are sewn down.

I have made all fifty 6″ blocks in the Kimberly Einmo book, Pre Cut Bonanza. The book has 200 pieced blocks from cut strips and shapes. I intend to make all the blocks eventually. The quilt that was made with the 10″ blocks still hasn’t been quilted. It is on the “to do” list. There are still 8″, 12″, 14″, 16″ and big blocks to make. That is for the future. I’ll be checking magazines and the Internet for settings for those blocks.
This is the first and second rows of the quilt. I’ll add the black setting triangles to the rows before I sew the rows together. I might even change my mind and use another color. I could even use half blocks in that spot. The quilt will speak to me when I get to that point.
Block # 42 is a 12″ block
Block # 43 is a 6″block
Block # 44 is a 12″ block
I have finished sewing the binding on a quilt. I was helped by my special helper, Miss Molly. She always lays on a quilt when I’m hand quilting or sewing binding. It must be her pre-quality control inspection. I’ve learned to take a big handful in my lap, leaving her just enough to be comfortable.