It has been a rainy day all day today.  At least it isn’t cold.  It was warmer outside than inside.  I did open the porch windows for a while.  The rain doesn’t come in those windows.  Right now, it is pouring.  According to the weather report, the rain should stop around midnight after a brief thunder storm. Miss Molly will be hiding again.

I worked on a few projects  including Dear Jane.  The two blocks that I finished are the start of the fourth row.

  This was an easy one.  I cut the center to size.  Then I added oversized borders and corner squares, which I then cut down to size.  The four triangles were cut to size and bordered with white strips that were wider than they needed to be.  They were added to the four sides of the center square. When I trimmed the block to 5″. the white borders became the right size.  I fussy cut the basket weave fabric so that the weave would go in one direction.  It is quilted and ready to bind.

  This was a little more difficult.  I cut the center to size.  Then I paper pieced the borders with the triangle.  The red triangle was placed on the paper first and then the white was added to both sides.  The borders are mitered.  I pressed this seam open as the little corner pieces were appliqued over the mitered seam. The paper piecing made this unit perfect and I was able to add them with ease.  It also is quilted and ready to bind.

When the two blocks are bound, I’ll sew them onto the main quilt.

I checked the fabric that I have with me in Maine and there is only one that is the right color for the fourth row. I’ll work on that one and then I’ll have to wait until I get back to New Hampshire to work on more Dear Jane.

There are still more quilts in the UFO pile so I won’t lack something to do.

Have a great day and happy quilting.

 

  Two weeks ago the Simple Sampler block was designed by Carl Hentsch.  It is paper pieced.  The block is named Betty’s Bloom.  Betty is one of Carl’s older dogs.

Now, I am only one week behind in the Simple Sampler project.  Last week’s block is an appliqué block.  Then I will receive another one on Thursday.  It is interesting to try the different methods of quilting. I will be up to date sometime.

Have a great day and happy quilting.

A little while back, one of my daughters came to my house for a visit.  I brought out the “give away” bin and she chose a piece.  I mentioned that I was working on another piece and it was going into the “give away” bin.  When she saw it, she folded up the piece that she had chosen and put it back into the bin.  She said “I’ll wait for that one.” I had intended to work on it right away, but other projects kept getting in the way.

The wall hanging is made of hand and commercial dyed fabrics and a few other fabrics that went with it.  I machine quilted it with free motion quilting, even feed quilting and ruler quilting.   It is not quite finished because the binding is in N. H.  I have sewed the frame on the inside of the pink last border.  When the binding is sewn on, I will sew another frame and then quilt something between the frames.  It shouldn’t take too long to finish.

Miss Molly is examining the quilt.

 

 

 

What I have learned about ruler work.

It should be done on a flat bed machine with enough space in the front and back to hold the ruler tight.  My machine is slanted on the front and has very little space in the back to hold the ruler.

The table should be at an ergonomic height. Your arms and hands should be at a comfortable angle.  My dining room table is too tall and it is tiring to use the ruler.

The spot where the needle ends should be marked.  The needle sews 1/4″ away from the edge of the ruler.  It would be easier if you had a target to aim for.

The lighting should be good, so you can see where the ruler is behind the presser foot.

Ruler work is not enjoyable.  Maybe, when I get back to my sewing room in N. H. and all of the above items are corrected, I will enjoy the process better.  I haven’t sewn beyond a straight seam yet.  The books make it sound so easy.

I enjoy free motion quilting very much. Many of my quilts have been free motion quilted.

I have seen some tutorials from Leah Day about even feed foot quilting.  That sounds interesting.  She has a book with three quilts and all the instructions.  There are tutorials about all the processes including selecting fabric, processing the fabric before cutting and many more.

There is always something new to try when you quilt.

Have a great day and happy quilting.

The Moda designs have been 6 1/2″ blocks for a few weeks.  This week, we were given two very easy blocks.

Rocky Road to California was designed by Betsy Crutchian.  It has four patches, half square triangles and squares.

 

 

 

 

Go Fish was designed by Stacy Iesthsu. It has six flying geese and two rectangles. I’m enjoying finding the different combinations of Japanese fabrics to make the Moda blocks.

 

 

 

 

Today was a day when the sewing machine didn’t want to work.  I have some unsewing to do tomorrow.  The wind was blowing down the chimney and it was hard to keep a fire in the wood stove.  I decided to not sew or quilt, just sit and read a book.  Sometimes, we just need to take a day off.

Have a great day and happy quilting.

 

I have finished 25 of the 169 center blocks of the Dear Jane quilt.  That is not counting the border triangles, but I will think about them when I finish all 13 X 13 rows of the center.  Each block is hand quilted and bound in the pot holder method.  Then they are sewn together.  I’m really addicted to making this quilt even though I once said that I would never make a Dear Jane.

I’m trying to stay as close to the original fabric as I can.  It’s a good thing that I have a big scrap stash.  I have chosen the fabric for two of the blocks in the fourth row. It will take 24 blocks to complete the fourth row.  I think that I will complete them one at a time and add the block to the quilt as I complete them.  If I do that, they will be where they belong.

I have also finished a small embroidered wall hanging.  I embroidered a Donna Dewberry pattern.  Her embroideries look similar to her painting.  She uses many colored threads in the embroideries and sometimes repeats a color.  When I sew the embroidery, I do not have a backing in the hoop.  I heavily starch the fabric and add batting.  I first sew a tracing line around the hoop. It outlines the pattern. Then, after the embroidery is finished,  I add the backing and use the line to add the first border. It makes a straight line and automatically centers the embroidery.  I usually have two borders and stitch a feather stitch on the seam lines.  This attaches the top to the backing.  The binding is cut smaller than the binding for a large quilt.  I like to hand tack the binding down. On some small quilts, I add a flange binding.  It requires no hand work as it is sewn to the back of the quilt and turned to the front. These little quilts ( 12″ X  12″) are almost instant gratification.

Have a great day and happy quilting.

Several years ago, I was fabric shopping at Marden’s.  I had finished and was waiting to have the fabric cut when I noticed my husband standing behind me with his cart full of bolts.  The fabric was bright purple, yellow, orange, blue, red and other colors that I don’t ordinarily use in my quilts.  I asked him what he wanted me to do with that fabric.  He said make a quilt.  I replied “All those colors in one quilt?”  He said “yes”.

I searched for a pattern to use all those colors and decided to make a king size quilt using squares sewn together, cut again at an angle using a template and then sewn back together again.

 

I had made two smaller versions and it is very easy as long as the pieces are kept in order.

The first one that I made has been hanging in the top of the living room in the Maine house for fifteen years.  The other is a small table mat.  

The king quilt looked very nice in the red bedroom.  Then I needed a wall hanging.  I found the twisted lone star in Jan Kranz’s book.  It was perfect.  The wall hanging is on the accent wall which is varnished ship lap wood.

It was interesting to work with colors that I don’t usually use. At the time, it was very hard.  I did learn to get out of my small box and experiment with other colors.

Have a great day and happy quilting.

Do you like the look of a flying geese quilt, but are sure that you will cut off the geese points.  There are several rulers on the market to help you cut out and sew the geese.  Kimberley Einmo has a flying geese ruler.  There is a Lazy Girl flying geese ruler, a Wing Clipper from Deb Tucker and many others.

Even with the rulers and correct cutting, the geese still don’t sew right.  Then you call in your friend, Mr. Seam ripper, or say it’s good enough.  There is a simple technique that will help with perfect flying geese.

Does your flying geese look like it’s head is cut off?

      It is because your joining line was sewn below the X on the head of the geese.  This is the X    .

If the flying geese head has clouds above it, it is because the joining line was sewn above the X on the head of the geese.

  

To make a perfect flying geese, sew the joining seam one thread above the X.  Then when the piece is pressed, the point will be just where it needs to be.  

It is sometimes hard to see the X when you are sewing a seam, but if you sew slowly through that intersection and really watch, you can do it.

These two little quilts were made before I figured out how to get a “perfect” point.  They are hand quilted and the quilting fixed a lot of mistakes.

    

Have a great day and happy quilting.

I’m behind on the Splendid Sampler project.  Two weeks ago, the designer designed an applique piece.  I was working on two applique blocks for the Dear Jane quilt and didn’t want to do another applique until they were done. The Dear Jane appliques are very small and took longer than I intended.  The Dear Jane applique is finished.  One block is quilted and ready for binding,  The other is being quilted.  I finally had time to work on the Splendid Sampler applique.  It doesn’t have many pieces and worked up quickly.

When you applique birds, you can make a new species.  It all depends on the fabrics that you use.  

 

 

 

Last week’s Splendid Sampler block is paper pieced.  I didn’t want to do that one either until I finished Dear Jane.  There will be another block on Thursday so I have until then to catch up.

The weather was nice today.  I worked in the garden in the early morning before it got hot.  The garlic is planted.  I picked parsley and sage to dry.  The tomatoes in the round garden are mostly done so I took down the tomato cages and put them away.  The tomatoes in the barrels in front of the garage are still producing.  They are so tasty.  I’ll miss them when the season is over.

Have a great day and happy quilting.

I made a little basket quilt several years ago.  When it came to the top of the pile, I decided to use it to practice machine quilting.  Miss Molly inspected the quilt and said that it was good enough for her to take a nap on it.

I practiced a basket weave.  It was free motioned quilted. I was able to quilt the whole basket without stopping by quilting in the ditch between squares.  Four triangles have pebbling. I like the look and hadn’t been very successful in quilting that pattern.  I took my time and by the fourth triangle, I was very happy with my quilting.   

The cathedral window had to be marked.  I did find a way to quilt the four corners without stopping.

I quilted the vine in the border with a ruler.  I did learn that I should quilt slow and from ruler marking to marking which is only about three inches.  I’m not fond of ruler quilting just yet, but will keep on practicing.  I was able to free motion quilt leaves on each side of the vine.

Moda has three blocks this week.  Fortunately, they were all easy blocks using half square triangles and sew and flip. All three blocks are 6″ square.

Texas Puzzle is by Carrie Nelson.  Carrie is the author of the Miss Rosie quilt books.

 

 

 

Big Storm is by Brigitte Heitland of Zen Chic

 

 

 

Mishmash is by Vanessa Goerhzen of Leila Botique

 

 

Have a great day and happy quilting.

When you submit a quilt for showing at a quilt show, there must be a sleeve sewn on the back. On wall hangings, there should be a permanent sleeve.  When you show a large quilt, you might not want a permanent sleeve so this Removable sleeve is just what you want.

The original instructions were made by Mary B.  It is very easy to attach and then to remove when the show is over.

Cut muslin 14″ high and the width of the quilt minus 4″.  I used an old sheet. The length of a queen sheet is just the right size for a king size quilt.

Fold in half and stitch.  I tore the fabric so that it would be straight.   Then I sewed with a walking foot so it would sew evenly.

With the seam centered in the back, press the tube.  It will be approximately 6″ wide.

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Pin to top of the quilt.  I pinned the top with the pin heads facing out so that I could remove them as I sewed.   The bottom was pinned sideward so that the pins would be out of the way when the second seam was sewn.

 

Thread the machine with monofilament thread in the top and regular thread in the bottom.  Mary recommended Bottom Line thread.  Superior mono thread is soft, not at all like the old mono thread that was like fishline.  It runs through the machine nicely.

 

 

 

Greatly reduce the top tension, (Down to 1)  Set length as long as possible.

 

 

 

With the right side of the quilt facing up, sew the facing to quilt at top and about 5 1/2″ down.  I sewed the top seam in the intersection of the binding, taking out the pins as I sewed.  When I came to the bottom stitching, I found that if I sewed 6″ down, I would sew in the border seam.  I removed the pins as I sewed, making sure that the sleeve was straight under the quilt.

The sewn lines are invisible on the front of the quilt.

 

 

 

When you finish using the sleeve, clip the bobbin thread in a few places and pull out the monofilament.  Save the sleeve for the next show.

Have a great day and happy quilting.