My appointment was cancelled this morning so I made good use of the extra time and caught up on the Moda Block Head blocks.
Block 29 is a 6″ block. It is called Courthouse Step and was designed by Carrie Nelson. This was a quick block to make. There were only nine pieces and all straight sewing.
Block 30 is an 18″ block. It is called Gaudi and was designed by Brigitte Heitland of Zen Chic. This took a little longer to piece than block 29. The triangle pieces were pieced in strip sets and then trimmed to the triangle. The center was a square in a square unit. The measurements in the instructions were not right, but I was able to adjust and make the center unit the right size. It called for 2″ squares to flip and sew on a 3 1/2″ base, when it meant to add triangles to all four sides of the center 3 1/2″ square. If I had followed the instructions, the center would have finished at 3 1/2″square. It needed to be 4 3/4″ which is the same size as the ends of the larger cross pieces.
When all the Moda blocks are finished, we are going to be given a diagram on how to set all the blocks. Most of the blocks are 6″ finished size, but there are several that are bigger and even one that is a rectangle. I’ve enjoyed the Moda Blockhead blocks of the week.
Have a great day and happy quilting.

A friend gave me some Dresden Plate blocks that were made in the 30’s or 40’s. They came with the muslin. I have appliqued the blocks onto the muslin and stitched the blocks together.
Fortunately, I had several 30’s Dresden Plates pieces that I purchased at auction several years ago. I was able to cut them to make the border. The fabric, even though it isn’t the same patterns, has the same look. It goes very well with the blocks.
I bought a piece of green 30’s fabric from a vendor at the Guild quilt show, intending to use it for something else. It just happens to be the right size for the back of this quilt. I think that I was going to use it with the auction Dresden Plate pieces. They’re both in this quilt now so I don’t have to think of what to do with them.
I’m using a Linus quilt for the demo. It is made with nine patch blocks set three by four. I made two sections of two rows. The nine patches are quilted. I omitted quilting the sashing because I needed it to float. I also didn’t quilt the border because The quilting might not match up where it was seamed. I wanted to quilt it all at once. Most tutorials tell you to trim both edges even. This will work, but you sometimes have to pull it and the seam won’t lay flat. I find it better to make one edge 1/4″ wider to give a little wiggle room. It is less stressful. On this quilt, the side with the sashing will be the side that is longer. It was not quilted. That will give you more room to manipulate. It is the bottom piece in the picture.
Turn the bottom piece with the sashing over. Pin the backing down and away from the edge. This will keep it out of the way of trimming. Turn back over and trim even with the edge. 
Unpin the back, smooth out, and trim back 1/4″ away from trimmed top.
Pin backing down again to get it out of the way. Pin the two pieces together, right sides together. I use a lot of pins. Line up the sashing lines while pinning. Peek to see if they line up.
Then sew seam with a 1/4″ seam.
Take it to an ironing board. Laying it with top against the board, press seam up. Press 1/4″ on backing.
When it is even, pin and then hand tack seam.
Done. You will not know that the quilt was quilted in small pieces. Using this technique, you can machine a king size quilt without a lot of tugging. You could even quilt single blocks and put them together this way. A patterned backing will hide the seams on the back. Or you could use different fabrics on the back and have a two sided quilt. There are so many options.
It’s November already. I finally changed the small monthly wall hanging. I hadn’t changed it since July. Sue didn’t go out trick or treating. She can today.
When I was getting the wall hanging out of the drawer, I found another one. This was made for a Guild challenge many years ago. I’m not sure what the criteria was for the challenge, but I remember that we were given beads to use in the piece. It was hand quilted. The fabric was obtained at a Guild quilt show. Keepsake Quilting was a vendor at the show. They had a large bin of fabric. We could stuff a plastic shopping bag for a very small price. I knew that I would use the fabric some day when I bought it. It seems as if I have a lot of fabric that I bought that way. Some day, I will have a use for it.

October is almost done. It will be November tomorrow. The Temperature Quilt is complete up to the end of October. Just two more months to go and it will go to the long arm quilter. The colors are beginning to look like the ones that I used in the Spring months. When the winter colors are added, it should be very pleasing to the eye.


I like to make striped table runners that have the ends cut so they come to a point, There are triangles left over from the cutting and they make little hexagon table mats. Four sets of triangles were in the UFO bin and I finished them today. I don’t have the runners so I must have given them away. The triangles sometimes are different but as long as they are color coordinated, they are pretty. These will go in the give away bin.



When in Maine, I quilted a table runner. It was quilted with ruler work. Still the straight lines, not curves or circles. I sewed the binding on and tacked it down so it’s a finished UFO. I think that I will keep this one. It looks nice on the dining room table. I’ll keep practicing more ruler work on UFO’s waiting to be quilted.
Six more Dear Jane blocks are finished. They are fun to make. They are so small that the hand quilting is fast. After they are quilted, they are trimmed to five inches and the binding sewed on. It doesn’t take long to tack down the binding. I have made some out of order because I started them in Maine. I am trying to use similar fabric as the original. I used what fabric I had there. Now that I am back in New Hampshire, I have a lot more fabric to choose from. The location on the quilt is written on a piece of paper which is pinned to the back of the finished blocks. I will place the out of sequence blocks in the main quilt when I get to the row where they belong.