Basket and Butterflies is my favorite quilt. Many years ago, I took an applique class with Nancy Pearson at the Vermont Quilt Festival. I had taken classes with other applique instructors, but it wasn’t anything that excited me. The first half of the class was not about applique. It was about color and fabric choices. We cut and pasted fabrics onto paper. When we left class for lunch, several of the students were fussing and saying they didn’t sign up for that type of a class and were not going back. It was their loss as Nancy taught applique in the afternoon class. We had our background in color so the flowers were beautiful. Nancy taught us how to applique a twisted ribbon without having bulk at the joining. It was awesome and I was hooked on applique.
The center of Basket and Butterflies was the class project. I had enough wall hangings so decided to enlarge it and make a queen quilt. I designed a border using Nancy’s flowers and made a woven ribbon with the same colors as the ribbon on the basket.
The quilt has a sub-title. It is “It’s John Flynn’s Fault”. I also had a class on stipple quilting and trapunto with John Flynn. The background of the quilt is stipple quilted with one of John’s stipple patterns. There is also some feather quilting.
The quilt was named Basket and Butterflies because when I became bored with the stipple quilting, I quilted orange butterflies in the background, It is very subtle but makes a nice surprise when the viewer discovers the butterflies. 


When it was finished, I thought that I would enter it into the Vermont Quilt Festival because I made it with information that I received in classes that I had taken there. It was my first entry in a major show. I was stunned and very pleased to receive a blue ribbon. And then, if I wasn’t stunned enough, my name was called for the best hand quilting award. 
The other side of the story is that I had met my quilting goal . My goal was to receive a ribbon in Vermont. Because I had met it, I stopped quilting for a while. Then, I got my thinking back in order. I quilted for the pleasure of quilting. Not every quilt is a prize winning quilt and I didn’t have to make one better than Basket and Butterflies. The prize is the joy in designing, putting fabric colors together, sewing, and making memories. The quilts didn’t have to be perfect. There should be no stress in making a quilt. Some of my quilts are just plain awful. Those are the ones that no one ever sees. I’ve learned to not point out my mistakes. They can be covered up by applique or buttons, or just cut up for mile a minute quilts. I’ve stopped counting how many quilts I’ve made. I usually have five or six going at the same time. I never get bored. I still put some into shows and have received blue, red and yellow ribbons. Sometimes, no ribbons. The judges point out mistakes that I already knew were there, so I’m not surprised. I just like to share my quilts with others.
Have a great day and happy quilting.


I actually finished a UFO today This is a really old one. I think that I used the Lazy Girl flying geese ruler to make the flying geese. It makes four at a time. The piece is 20″ x 20″ and will go in the “give away” bin. It’s machine quilted so didn’t take long to finish. I used the leaf galore ruler to mark the curvy lines. The ruler was the exact length as the border so I didn’t have to add or subtract anything. I gave up on trying to finish a UFO every week. The small ones were easy to do, but the larger ones take more time. they’ve been sitting there for a while so they can sit a little longer.
Last week’s Splendid Sampler block was designed by Rachael Daisy. It is called Around Four Corners. Quilters who write several of the blogs that I follow are doing the Splendid Sampler as well as the Moda Blockhead 2. They give tips about sewing the blocks. The tip for this block was to sew it exactly as the pattern says. That is reasonable. One of the reasons that I am making the Splendid Sampler blocks is to learn new techniques.


Place the two pieces of fabric together, right sides together. Place batting under the fabric and sew around the edge with a 1/4″ seam. Leave a 3″ to 4″ opening so that you can turn the piece right side out. 
Trim the batting and the corners before turning the piece right side out. Press carefully. Topstitch the edge, sewing up the opening. Quilt the piece. You could practice free motion quilting or quilt in straight lines. I added piping to the edges of this basket to see if I would like it. It does add another element, but does take longer to make.
Fold the piece in half. Measure and mark 2″ on the fold and up the edge. Draw a line between the two marks. When sewing on the line, back stitch to lock stitches in place. The 2″ mark is for a 12″ piece. You would mark a smaller triangle for a smaller piece. The measurement is how tall the basket will be. You might want some baskets taller and more thin or some shorter and fatter.
Before you turn the basket right side out, tack the points down, all going in the same direction. 
Turn the basket right side out. Fold down and tack the points with a button, sewing completely through the basket and point.



I decided to make an underwater scene with cut out fish from a leftover scrap. A peacock feather became a piece of coral. I did some thread painting and it turned out very nice. After I made the underwater scene, I wondered if I could make a landscape out of the tiny bits and pieces of fabric that should have been thrown away. When I was working, I had several photos taped to my work station. They were of places that I had been and enjoyed. Maybe I could use the photos and commit the scenes to fabric. The scenes were small so the first thing that I did was enlarge them to 8″ by 11′. It seemed the perfect size for a small wall hanging.
The first one that I made was terrible, It was a mountain scene in N. H. I had written a mission statement before I started the Gaa-barge project and it stated that no matter how bad a piece was, it would remain in the project. This one is still with the others, mainly to remind me that not all quilts are successful. Some are really, really bad.

Moda Blockhead 2, block #10 was designed by Jo Morton. It is a 12″ block called Duck and Ducklings. It went together easily. I’m using the Japanese fabric for the Moda blocks. Most of them go very well with the printed fabric. I try to use that fabric in most of the blocks, although, some blocks do better without it. I look forward each week for the Moda pattern. Most are made up quickly.
This fun wall hanging hung on the back of my extra dining room chair for a long time. I should bring it out again.