I went to the Maine Quilt show in Augusta today. There were so many beautiful quilts. The vendors were excellent. I stocked up on my favorite batting, Katahdin Summer. It is a low loft 100% cotton batting that is made Maine. It is wonderful for either hand or machine quilting. I always head for the booth that sells it because I know that the summer weight sells out fast. I also bought two chalk pencils that really work. The chalk disappears with a touch of an iron. Adele Scott is my favorite vendor and I always find something new at her booth, This year, I found a book that instructs me on how to do ruler quilting. I’ve browsed through it and have learned a lot already. Now to put the instructions in practice. I’ve had the machine foot and rulers for over a year and haven’t progressed beyond straight quilting. Maybe now, I can use the other rulers.
The best of show was Marguerite Solomon Gunn’s quilt – Banquet Royale. I had seen pictures of the quilt in magazines, but it is awesome to see it in person. The colors are beautiful. Her quilting is beyond belief.
My favorite quilt was one that was appliqued with silk fabric. Somehow, silk makes a quilt shine. That quilt won four ribbons.
There was a display from the Lowell quilt museum. We were allowed to take picture and I will share them with you.

Have a great day and happy quilting.
Dear Jane is being made in the pot holder method. Each block is hand quilted and bound. Then they are sewn together with a modified ladder stitch. I started with the center block and am adding blocks in the row that surround the center. The second row is done and I am working on the third row.
Six blocks have been quilted and bound, They are ready to be attached.
Three blocks have been quilted and are waiting to be bound.
One block is pieced, but not quilted.
Three blocks are applique blocks. They need a little finishing and then they will be quilted, bound and added to the piece.
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The splendid Sampler block is by Lori Kennedy. It is called Rose and Dot. The block was supposed to be hand appliqued, but I have a lot of fused fabric left over from Melissa’s Quilt and decided to use that.
The Moda Blockhead 2 block #7 is a 6″ block. It was easy to make.
If you notice, there are a few Miss Rosie quilts on the fence and in the trunk.
While I was in New Hampshire, I took pictures of several wall hangings. I’m not sure if I have shown them before. The Mariners Compass quilt was made several years ago. It was not paper pieced. I know that I didn’t know that technique at that time. I noticed that I used some of the lightning fabric from “A Wild and Crazy Night With Suzanne. I must have had some left over. This was made about the time that I decided to buy extra fabric and create a stash.
Melissa’s quilt is finally pin basted and ready to quilt. As I was eating breakfast, I realized that the kitchen table was a good size for pin basting. My regular basting table is in the garage. It is a rainy day and cold and damp in the garage. I think that I’ll stay inside.
The clamps fit on the edge of table. They held the two long sides. The backing and batting was clamped on the ends, but the top was a little too short. I pulled the ends as I pinned to make the top taut also.
The pins are all placed, but not shut. I do that later using a grapefruit spoon as an aid.
If I forget to close a pin, it stands up and is very obvious.
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Clamshells designed by Helen Stubbings
Milk and Cookies designed by Rebecca Bryan
Balance designed by Wenche Wolff Hatling


This block is called Point Taken. It is designed by Susan Ache. Susan says “Who says that a star has to have points, Chopping off points is part of the design. ” I’m not sure that I like chopped off points. Maybe in the whole quilt, it will fit in.